Speed of Darkness

All this talk about music reminded me that I was going to mention that the new Flogging Molly CD is simply fantastic. There are a few bands that still I religiously pick up the CDs for every album. Flogging Molly is one of those. The new CD “Speed of Darkness” is an entire battle hymn for American revolution. Tracks 2, 4 and 5 are a call for all out war. Recorded and emotionally brewed in Detroit, the album’s theme is generally economic in nature and speaks to the troublesome times we find ourselves in. Being poor, out of work and tired of the continuous bullshit from the government and the rich weaves it’s way across all 12 tracks. Gone are the old sea chanties and traditional Irish backing. The entire CD is as raw and American as you can get.

Musically, the sounds is unique, especially within the FM catalog. I can say that the departure from acoustic guitar and mandolin for the gritty sounds of electric and bass are compatible to Dylan going electric in 1965. It’s a huge artistic statement for the band. A few tracks are even reminiscent of other bands take on social-political topics. “Don’t Shut’em Down” sounds eerily similar to a few tracks off GreenDay’s “21st Century Breakdown”, which is actually a good thing.

It’s not all new sounds however. A good number of the songs still feature the same poignant Dave King warble and raw lyrical power, including a fantastic duet with his wife (and the bands fiddle player) on Track 11, “A Prayer for Me in Silence”.

As a huge fan of the band in general, I’m clearly biased when I say that you should really pick this up, but the impartial music lover in me easily agrees. I found it at Target for $7.99, it’s the same on Amazon as well. I highly recommend it. It’s already the soundtrack to my summer. If you care to purchase it via Amazon, you could always do so via my affiliate link. In full disclosure, I think I get like $0.50 or something if you actually do.

 

 

The Cloud

I would send a trackback to Chris’ post on the subject, but since I can’t (and will continue to raz him for it) a link will have to do. I can’t help being perplexed by the concept of “the cloud” as it pertains to music. I can see documents, I can almost see photos, and I can easily see email and online services. Music is a tougher sell, at least to me. Most of that may be due to my usage of the medium. The vast quantities of music, both legally obtained and, well, not, that I consume simply wouldn’t fit into a cloud. At least not a cloud with limited space. I’ve mentioned my vast music collection in the past and in fact it was Chris who actually witnessed the majority of it being purchased. I can honestly say that I wouldn’t have purchased nearly as many Global Underground collections if it weren’t for him, for which I am eternally grateful.

Part of me agrees with the concept of having things available to me, any time I want it. Being able to pull up a song from some vast sky based storage labyrinth with a couple buttons has great appeal when I want to have someone listen to something I’ve found. The other part of me cringes that the concept of sharing or physically handing someone the same content would be lost forever. Being able to access my music is inviting, but not having the physical item (file, CD, etc) with me or at least accessible in the end, is a deal breaker. That cage has always been a part of iTunes and Apple’s attitude towards music, but we won’t get into that.

What do you do if you put everything on the cloud, then want it back, and it says no?

From a technical standpoint, I would have to invest countless hours to upload and sync the collection initially and as Chris pointed out, there’s still quite a bit missing. While a “Search & Sync” feature is nice in theory, what about things it can’t find? The sheer number of “Essential Mix” mp3s I have is staggering. I also don’t cherish the idea of Apple/Amazon/Google knowing exactly what I’m listening to. If you think for a second that any of those services wouldn’t turn over information about what they’re storing if faced with legal action, you have far too much faith in them. I hate to be the paranoid type, but if I uploaded the music I had, through iTunes, into the Apple cloud, the flags it would raise in the legal department would rivial a semaphore competition.

I also lack the number of devices it would really take to make a service like that useful. I don’t have an iPod that I can plug into a stereo system. I don’t have a HTPC to stream music to. I don’t have an iPhone to listen to music on the go. In fact, I actually don’t have any music loaded into my Android smart phone at all except the few tunes I use as ringtones. The vast majority of my music listening is done in the comfort of my own home, where all the music current resides. If I’m 10ft from the music in the first place, I don’t really suppose it needs to be “in the cloud” to begin with. I do a lot more listening at home/work than I do on the go.

That actually brings me to an idea. Since the concept of the cloud is completely valid, and having things accessible on the go is nice, my only real objection to it is the services/companies running it in the first place. What if you could combine the old and the new? What I’m talking about is a personal cloud. A home server, or a home device, that synced and fed content on demand. Your own personal cloud, probably with a web interface. We’d most certainly need a few prerequisites: cheaper home high speed connections, IPv6, cheap physical storage media in large sizes. Just imagine the possibilities of having music.yourname.whatever and simply having the gateway to it on your portable devices. That would be magical.

Apple does a great job of taking ideas, refining them, making them great and then putting them in an iron cage with a fence around it. Your information is YOUR information. You should manage it. Having your stuff, on the go, without the need to pay someone else to manage it for you should be the end goal. Apple wants to hold your hand and help you make your things easily accessible, and that’s an admirable goal, especially for the less technical of us, but their failing has been in never recognizing that some of us simply want the mechanism, and not the hand holding that comes with it. Give me the concept, give me the tools to create it, then stay out of my way. Everyone should have a cloud. Everyone. It should be a concept that’s embraced, not bottled and sold by a single company.

Also, and maybe this shows my age, there’s something to be said about the “collection” in the first place. I want my daughter to SEE the music that her Dad has. I want to have her listen to everything from Miles Davis to the Beastie Boys to John Digweed and not have to buy the music a 5th and 6th time to do it. I have it all on CDs and tapes and vinyl, and whether or not the medium still exists is besides the point. It’s real. It’s in a box. It can be shared. The vast amounts of it speak to the diversity of it. If I had a bigger house I would literally have a room that housed nothing but music and movies. Something about digitizing it all into a 3×4″ device with a headphone jack seems to cheapen the experience, and removing even that device from the equation all together completely destroys it. I’m not suggesting that we all sit around our living rooms listening to phonographs, but there’s certainly something that was gained by doing so that we seem to have lost over the years.

In the end, perhaps it’s just my media lifestyle choices that define the way I listen to music. I have sympathy for the old ways. While I embraced digital photography, I still have a love for paper and chemicals and the darkroom. In the same way, I embraced the MP3, the software and eventually I’ll embrace the cloud, but I still have a love for record players, the fuzz and the pops, and listening to jazz on rainy Sunday mornings. I can’t wait to share that with my daughter.

 

The Good Old Days

You know what I want? I want music software to be the way it was in the 1990′s. I want this:

Instead, I have this bloated, full of shit, piece of festering software monstrosity that looks something like this:

I have YEARS worth of music. I can’t physically load that much music into iTunes. Why? Because it would have a fucking aneurysm. I personally take the time and organize my music, on my hard drive, into folders, with correct labels and tags and album artwork. I do NOT need a program to do that for me. If you do, then I can only assume you welcome the day that our computer overlords will pick out socks for you to wear from your personal vast collection of socks, because we’re talking about something as equally simple.

You know why the iPod Shuffle is such a success? Because it’s so small the only thing it actually does WELL is play fucking MUSIC. I don’t want music on my phone, I don’t want music on a iPod Touch, I don’t want music on my TV, my toaster, or anything else that’s a pain in the ass to carry around. Nor do I want one universal media brick/phone/blender/air-conditioner that does everything for me. Don’t get me wrong, I love my phone, but I use it to make PHONE CALLS… and play the occasional game of Angry Birds. I don’t watch YouTube videos, I don’t surf the web and I don’t play music on it.

My non-need for a multimedia device is just a reflection of the over all point I’m trying to make. Let me be exceptionally clear.

I WANT TO LISTEN TO MUSIC.

That’s it. Just listen to it. I know, it’s mind blowing. I want to click play and for my ears to enjoy the sonic vibrations of artists playing instruments.

I don’t want to organize it. I don’t want to categorize it. I don’t want to tweet about it on my facebook. I don’t want to track it on Last.FM. No. I want to play it. The song I chose. The one I clicked “play” to hear. That’s it.

Please, someone, anyone, PLEASE make me a music player that doesn’t suck. That’s it. I’m not asking for much. Something little. Something tiny. Something that simply plays the music I give it.

This comes close. It’s a Bowtie theme, but you have to run iTunes in the background. I don’t want that. I just want the player. Please, someone help! Save this generation from thinking that EVERYTHING needs to be inter-connected with everything else. Let them know that it’s completely ok to sit on the floor and listen to Miles Davis and NOT be building a “Genius” playlist around your listening habits. Someone save us!

 

New DKM and Flogging Molly

Just in time for St. Patrick’s Day, a bevy of new music from the only two bands fit to claim the title of Irish in the first place. Actually, it’s not really new music, just new CDs. Both bands released new live albums within the past week or two, with the Dropkick Murphys putting theirs out yesterday. I had to stop by Target to pick up a few other items so I checked out the music section briefly and to my surprise not only were both albums there, but both were on sale for $8.99. Not a bad price, especially for the Flogging Molly album which is a double-CD set and live concert DVD. I thought the DKM CD was as well, but apparently I got the wrong one. There was a CD/DVD combo, but it’s a couple bucks more and wasn’t at Target yet. I checked online and sure enough, Amazon has it for just $12.99. (Amazon Affiliate Link: Live On Lansdowne, Boston MA (CD + DVD)). That’s ok, how often would I actually watch an entire concert on DVD anyway?

I had a chance to listen to both abums last night and the DKM album is pretty standard fair for those guys. High energy, great show, good set list, 20 songs from both old and new albums. I think it’s a little less impressive compared to the original live album, which I believe had a few more songs but were more of the classic hits and much more in-between song commentary from the band. That’s really one of the reasons I like to buy live albums. I like to hear the band actually talking to the crowd and having fun, not just performing the songs. I think the difference is that this new album is a collection of songs from multiple nights and therefor edited down, where as the previous live album is a single show, strait through.

The Flogging Molly album is actually quite impressive. Double CD set (although just one show, 21 songs total) and a DVD. The DVD is nice since you get the entire show, 90+ minutes plus a bunch of other stuff. Since the show was so long, I can see why they had to break the CDs into two, but even so, having only 9 songs on the second disk is a little sad. They could have thrown a B-side, or a bonus track, or something on there. Music wise it’s very Flogging Molly. One of the single greatest acts I’ve seen live in my life. I’ve seen them four times now and they’ve never disappointed. The DVD is great at capturing the experience of being at a show, although a little bit from the outside. Somehow it misses that close intimate feeling that always present at a Flogging Molly concert, but that’s more than likely due to the fact that it’s filmed in a large outdoor amphitheater and they shot it using cranes rather than being right up on stage with the band. Still, solid show, and much more enjoyable to share with others who might like the music but might not want to get Guinness soaked and pushed around in a crowd all night.

Both are great, and for $8.99 a piece, you can’t really beat it.

 

iTunes Hate

In preparation for the release of new GreenDay CD today, I fired up the old iTunes store last night because I heard there were bonus and exclusive track available if you pre-ordered it. Sure enough there was. There were two bonus tracks (that can still be purchased separately) and 2 additional bonus tracks that were only for people that pre-ordered. They were two covers of Who songs. Not that I’m a big fan of the Who, but getting 4 bonus tracks for free was appealing. So, I clicked on “purchase album”. Nothing happened. I clicked again, same thing. I figured maybe the page wasn’t loading, so I hit the “home” button to back to the main iTunes Store page. The featured ad was still there, touting the inclusion of said bonus material, so I clicked on it again. Nothing. What the hell was going on? I tried another tactic, I searched for GreenDay in the search box. I found the artist, then found the album. It still said exclusive/bonus/preorder, so I clicked “purchase album” again. Then I got an error. Not a normal error either. A big, giant red exclamation point saying simply that “The iTunes store has had an unexpected error: please try again later”. What the hell?

So I quit iTunes, restart, and try it again. Same thing. Then I realize something. It’s 11:04pm, central time. Midnight on the East Coast. It’s no longer the 14th, it’s now the 15th. Since it’s the 15th, I can’t actually pre-order something that’s been released. I go back to the iTunes store, search by artist, find the CD and this time select the regular, non-bonus CD. It starts to walk me through the purchase process and I nearly loose it.

The iTunes store had updated the CDs status from “preorder” to “purchase” while I was looking at it, eliminating the version of the CD I was trying to buy. I can’t buy a CD with pre-order only songs if I’m not technically pre-ordering it. The only problem is, they left all the ads, albums and descriptions up. I checked back at a little after midnight (central) and they were still up. The big “pre-order” button was still featured on the homepage.

So, fuck the iTunes store. You know what I did? I went to Target, my go-to for everything these day. They opened at 8am, had the album displayed in a big “new releases” rack, complete with a deluxe 2-CD edition featuring not only the bonus songs but an entire bonus 6-track Live CD, for $9.99! So, fuck iTunes. Fuck it and it’s pre-ordering bullshit right in it’s $14.99 face. Midnight on the east coast is NOT midnight to ME. If I was waiting at a store for a “midnight” release, I’d have to wait one hour longer than my east coast counterparts, that’s just how it is. Just because it’s the 15th in one time zone doesn’t mean it is in all the others. What if I was on the west coast, that would have been 8pm. That should have left plenty of time to preorder it if I was living in Cupertino. If we’re going to ignore timezones so completely, why couldn’t I “buy” the full release at 6pm? That would be midnight in Europe. Asshats.

Luckily, the only things I missed out on were the two Who cover tracks, which, to no ones surprise, are now floating around on a torrent raft in the middle a certain notorious body of pirate waters. Double fuck you iTunes, complete and total fail. Ha!

 

Flogging Molly

Tuesday night I had the pleasure of seeing one of my favorite bands on the planet. Flogging Molly stopped in Houston as part of their Green 17 Tour. I first saw Flogging Molly shortly after their first album release back in college. They were in Savannah and played this tiny little crappy club called The Velvet Elvis for a crowd of what couldn’t have been more than 50 people. They were fantastic then, getting the Guinness soaked crowd of art students to put arms around each other and sway to old Irish drinking songs. That was 7 or 8 years ago, I’m not entirely sure, it all kinda blurs together. They were fantastic that night and they were equally fantastic Tuesday night. Bigger crowd this time. Actually it was a sold out show of a couple hundred, downtown in a converted warehouse at a place called simply enough Warehouse Live.

I met up with my buddy Dane downtown at a bar called The Homeplate which is right next to the ballpark and directly between the park and the club. We were able to grab a quick bite to eat before hand and park for free instead of playing $20 to park a block closer. I was a little disappointed we didn’t get right to the club at 7:00, which was when the doors opened, but it didn’t end up making any difference since the opening act came on late anyway. I always like to be early for shows like that so I can be up closer to the front railing. I don’t care one way or another about “the pit”, if I’m in the middle of it so be it, but being “in front” of it seems to work out better than being behind it. It’s also to avoid what ended up happening last night and getting squeezed in behind so huge guy who I can’t see around. I know I’m just average height so I like to find some place with a good line of sight and being behind some 7’2″ guy without a shirt on doesn’t really do it for me. So we moved up to a small landing to the left of the stage, directly in front of the bar. We were to the side a bit, but the extra 4 or 5 feet off the ground provided a fine vantage point.

The opening bands included The Cherry Cokes, a Japanese Irish band (yes you read that correctly) who sung completely in Japanese but the crowd didn’t really seem to mind. The melodies were familiar and that was enough for most people. They were actually rather good, even despite the language barrier. The second band was, ummm, interesting. It was the Reverend Payton’s Big Damn Band. A 3 piece consisting of drums, washboard and steel guitar. I liked it, but I think it wasn’t what the crowd was expecting. It was more of a punk/hillbilly thing than music you could sing along with. Some good guitar picking from the Reverend though.

Then it was time for the main event. Everyone (including myself) got refills on their Guinness and prepared for what was going to be an awesome show. They came on about 10:00 and the place lit up. There were a couple slower, more somber songs mixed in here or there, but for the most part it was a rocking show. I was glad the people around me were into it, it’s always a shame when you get stuck next to people and they stand there with their arms crossed looking pissed all night. I’ve been to shows like that before and it’s not fun. Those type of people come out to shows simply for something to do. Tuesday we were thrown in the mix with a good bunch of folks who were there for a good time. Multiple times throughout the night everyone put their arms around their neighbor and sang at the top of their drunk ass lungs. I completely enjoyed myself.

It had been such a long time since I had seen a show that it was just what I needed. I love going to concerts and this was a good one. I’m glad my buddy Dane was able to come. He’s a (new) big Flogging Molly fan and I’m glad he got to see them live.

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Fist Fight in Your Crotch

My good buddy Jason just released an album for his band The Amblotics entitled “Fist Fight in Your Crotch”. Completely free download. Check it out HERE. Definatly good stuff. Awesome job bud!

Oh, and since he doesn’t have any album art for it, I thought I’d share what I’m using. It makes me smile every time I open WMP or iTunes and this pops up as the artwork.

 

Scratch that. I like this better. God bless Photoshop.

 

full sized

 

Pandora: Music Genome Project

It takes a whole lot of well crafted web magic to impress me these days. There’s AJAX this, Ruby that, Flash apps, all sorts of crap. Most of it is kinda interesting but not entirely useful on the whole. Today, I found something that I really think is pretty slick.

Pandora by the Music Genome Project

From their site:
“Ever since we started the Music Genome Project, our friends would ask: Can you help me discover more music that I’ll like? Those questions often evolved into great conversations. Each friend told us their favorite artists and songs, explored the music we suggested, gave us feedback, and we in turn made new suggestions. Everybody started joking that we were now their personal DJs. We created Pandora so that we can have that same kind of conversation with you. ”

At the most basic level it’s like all those “find similar band sites” like last.fm and nova-something (which I can’t remember), only taken to an entire other level. You put in a band you like and create a “radio station” based on that. I chose Less Than Jake for my first test. I put in the band name and it creates a station based on not only LTJ but music thats similar, impired by, has similar characterists of and/or sounds like them. I started with Liquior Store, a song it chose randomly from the LTJ catelog. Then, it filled the “radio station” with songs and artists that it thought I might like. I can adjust the tastes and blend of songs based on yes/no votes. It’s live, streaming, and always on for me to listen to. It’s full songs, good quality, in a great mix, streamed directly from the browser. No media player involved.

In the past few hours I’ve listened to: Gogol Bordello, Flogging Molly, Voodoo Glow Skulls, Swingin’ Utters, Mustard Plug, The Pogues, The Mountain Firework Company, Spitvalves, Lawrence Arms, Streetlight Manifesto, Fall Out Boy, Operation Ivy, Pink Spiders, Kid Dynamite, and the Street Dogs. That’s a great mix. Nothing has repeated. They never picked any cheesy over played tunes. I’m really liking it.

Definatly a website to check out, especially if you want to hear some new tunes.

http://www.pandora.com

 

Playlist for the day

Completely and totally random thought of the day…

Mxpx – The Darkest Places
Arctic Monkeys – From The Ritz To The Rubble
LCD Soundsystem – Daft Punk Is Playing At My House
1208 – Fall Apart
Autopilot Off – Make A Sound
Reggie & The Full Effect – Congratulations Smack And Katy
The Rolling Stones – Street Fighting Man
Streetlight Manifesto – 9mm and a Three-Piece Suit
Mxpx – Late Again
Bloc Party – Helicopter
Bowling For Soup – Captain Hook
Sahara Hotnights – Push On Some More

 

I’m so disappointed

I just checked out a few tracks from the new Less Than Jake album. Sad. So so sad. You can check out the few preview tracks here. I wonder if Jason knows about this. God it sounds bad. What the hell? LTJ was the last hold outs in the endless parade of pop-rock crap. I could hear at least 3 of those tracks being whored on radio.

Fuck that, I’m going to go put on a Real Mckenzies album.

 
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